Friday 23rd May 2014Mac or PC for Your Digital Art?One of the bitterest rivalries that has consumed generations of digital artists is the divide between the Mac and the PC. Okay, that might be a touch hyperbolic, as they haven't existed in their present incarnations for more than a generation, but there are still bitter feuds and harsh words exchanged between the two opposing camps. When the time comes to buy yourself a new computer, it's an important decision to make. Switching between the two can be something of a hassle, but it's not impossible, although as long as Adobe and other software makers are unwilling to allow their customers to switch platforms without purchasing additional copies of programs, that can be a major added expense when it comes to switching environments.
The next major concern, of course, is price. We artists tend not to be rolling in cash, although we are also very conscious of image (even though we often pretend not to be). This tends to make us lean towards Macs anyways, simply because they have a cachet that PCs don't, but when you're on a budget, 9 times out of 10 you can get a PC that will run circles around a Mac at a similar price - not to mention that the cheapest Macs available tend to approach the $1000 price point, while a perfectly serviceable PC can be had for half that price.
Naturally, there are some caveats, but at this point, the long-fought battle between the two can be said to be little more than marketing hype. Ultimately, it all comes down to what you're most comfortable with, as 99% of your digital artwork will be completed equally well on either platform. If you're into high-end video editing, you may be better off with a Mac, whereas if your emphasis is on 3D rendering, you may be better off with a PC. It all comes down to what you need, not which is better.
Friday 25th April 2014Never Before Seen Digital Works by Warhol RecoveredPerhaps the most dreaded scourge of the digital artist is data loss. Unless you manage to regularly maintain a strict backup schedule to keep copies of all your digital work files in separate places (and let's be honest - that's right up there with flossing every day and jogging 4 times a week) you have probably encountered the problem before. But what happens when you diligently back up your work, only to have the storage medium you used go out of style? Imagine being a filmmaker who has copies of all their work on BetaMax tapes. Well, the same thing apparently happened to works by pioneering pop art icon Andy Warhol.
Fast forward to 2014, when Cory Arcangel saw a Youtube video of Warhol promoting the Amiga 1000, which inspired him to reach out to the museum to find out what happened to his experiments with the first computer graphics systems. The result was a collaboration between The Warhol's chief archivist, Matt Wrbican, and a group of computer enthusiasts from Carnegie Mellon University, the CMU Computer Club. Thanks to the expertise of the CMU Computer Club, the images were able to be recovered after painstaking tests and careful problem solving. For those of you who've read our recent post on drawing tablets, you'll be easily able to see how even the most capable artists would have struggled to adapt to the mouse interface that was standard issue on most computer systems at the time!