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Saturday 19th February 2011Google Celebrates the 135th Birthday of Constantin Brancusi

Google continues it's great run of themed 'Google Doodles', each celebrating a specific date or occassion. Today's graphic sees the Google logo transfored into a series of sculptures by Romanian-born artist Constantin Brâncuşi.
 
Today marks Brâncuşi's 135th birthday and so it seems a fitting day to take a sneak peak at the sculptors life, and why he has successfully made it into the records of art history. 
 
Born in Romania in 1876, Brâncuşi proved to have a talent for sculpting from an early age where he would competently carve wooden farm tools. As he got older, he took those skills forward formally, first in Bucharest and Munich, before reaching the pinnacle of artistic schooling at the École des Beaux-Arts in Paris. 
 
In Paris, Brâncuşi honed his skills, and perfected a clean, geometric style with an astounding sense of balance and abstract symbolism. His brave style and creative artistic output in the early 20th-century has earned him the accolade of being considered one of the foremost pioneers of modernism. 
 
Interestingly, in his early days in Paris, Brâncuşi was invited to study at the studio of Auguste Rodin, a titan in the world of sculpture. After two months at the studio, Brâncuşi left, saying that "nothing can grow under big trees". Brâncuşi felt that, due to Rodin's position and stature as a sculptor, he would be less able to develop a style true to himself if he continued to work there. Brâncuşi showed a strength of character that undoubtedly allowed him to really work to define himself as an artist, instead of remaining in the shadows of his teachers. 
 
Works in Atelier Brâncuşi, Paris.
Photograph by Edal Anton Leftrov, 2010
 
Along with Rodin, Brâncuşi also spent time with Pablo Picasso, Man Ray and Henri Rousseau; a vibrant selection of artists, who no doubt helped Brâncuşi to reach his full potential and revolutionise sculpture for future generations. 
 
Brâncuşi worked with a range of materials including marble, bronze, limestone and wood, and by the time of his death in 1957 he had created more than 215 sculptures. Amongst his most famous works are Sleeping Muse (1908), The Kiss (1908), Mademoiselle Pogany (1913), Bird in Space (1919) and The Column of the Infinite (1938).
 
At the time of his death, a large body of his work was bequeathed to the Romanian Government, however they turned it down, and it was given, instead, to the French Government. A great many of Brâncuşi's works can be seen today in museums around the world, where we can celebrate his contribution to art and art history. 
 
 

Posted on February 19th 2011 on 12:26pm
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Labels: sculpture

Saturday 22nd January 2011British Sculpture Reins Supreme at the Royal Academy

 
The Royal Academy of Arts in London is to present the first major exhibition, in 30 years, to take a good look at the state of British sculpture in the twentieth century.  The show is to be an exploration of what it means for something to be a British sculpture, and how such creations sit within the broader context of British links with its Empire, continental Europe and the United States. 
 
Ordered chronologically, but presented as an array of unconventional juxtapositions, the exhibition looks set to challenge established thought on the matter of British sculpture and to form new discussion and concepts.
 
Amongst the sculptors to go on show will be Jacob Epstein, Barbara Hepworth, Henry Moore, Richard Long, Damien Hirst and Leon Underwood, ensuring that there will be a little bit of something for anyone with a taste for the 3-dimensional art form.  
 
With significant loans from both the British Museum and the V&A, visitors can also expect to be taken beyond the traditions of the British Isles, in terms of sculptural subject matter. Native American, Indian and African traditions will be highlighted amongst the material, as the exhibition looks at the way in which curious British artists took to drawing on influences from around the world. 
 
As well as looking at the traditions and influences within the range of sculpture on show, the exhibition will also tackle the choices that artists faced between figurative and abstract creation. In the early part of the twentieth century, sculpture still held both commemorative and political duties, forcing sculptors to either comply with tradition, or to look to break the mould.
 
The exhibition opened today and will run until the 7th April 2011. Make sure you check out the Royal Academy website for more information!
 
 

Posted on January 22nd 2011 on 02:51pm
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Labels: sculpture

Monday 15th November 2010LACMA To Hold Exhibition For American Sculptor David Smith

David Smith (1906 - 65) is arguably one of the greatest American sculptors of the 20th century, and now he will get recognition for that at the Los Angeles County Museum of Art. David Smith: Cubes and Anarchy is the first major thematic exhibition to be devoted to the sculptor. 
 
The exhibition will be in view from 3rd April until 24th July 2011 in the new part of the museum; the Lynda and Stewart Resnick Exhibition Pavilion. The exhibition will show around 100 of Smiths works, that span his entire career as a sculptor, including drawings, paintings and photographs alongside his more known sculptural works. 
 
Famed for his hard-edged geometric style and deeply linked with working class motivations which has seen his work placed under the banner of international constructivism, Smith owed a lot to his early experiences in life when it came to building a career as a sculptor. Smith worked as a welder at the Studebaker automobile factory in Indiana whilst he was a student, and to this he owed the education of manufacturing and building things from raw materials.
 
With Mondrian, Kandinsky and Picasso noted amongst his influences, Smith was well positioned to produce some fantastically solid, geometrical formations that sit well in the canon of art history, speaking to movements such as Abstract Expressionism and Minimalism.
 
The show at LACMA looks set to be an excellent comment on Smiths life and career. To find out more about the show, visit the LACMA website.

Posted on November 15th 2010 on 06:11pm
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Wednesday 06th October 2010Donald Judd Land - A Texan Haven for Art Fanatics

I recently subscribed to the Art Market Views blog which is penned by leading New York art writer Lindsay Pollock, whose work has been published in places like ARTnews, Art + Auction and The Art Newspaper. She is also the author of one of my all time favourite biographical books:The Girl with the Gallery: Edith Gregor Halpert and the Making of the New York Art Market
 
I first came across The Girl with the Gallery while at Graduate school in New York. As it happens, I also learned about the focus of the current blog post on Art Market Views while in New York, and have wanted to visit it ever since. 
 
Donald Judd Land, or Marfa, Texas as it's more commonly known, came into being as a consequence of Minimalist artist, Donald Judd buying up a range of dilapidated properties in Marfa in the early 1970's and turning them into exhibition, studio and living spaces for himself and a handful of friends and contemporaries. As Pollock describes in the blog post, amongst the buildings that Judd purchased at bargain prices were a supermarket, a bank, an old wool and mohair warehouse and an army barracks, which now houses Judd's Chinati Foundation. The 340 acres of space at the former army base looks to make a fascinating place for the Foundation, which displays works by many of Judd's contemporaries, such as Dan Flavin, Roni Horn, Richard Long, Carl Andre and Claes Oldenburg to name a few. 
 
Pollock's blog post follows her visit to Marfa as part of one of the tours hosted by the Judd Foundation. The Judd Foundation was established in 1996 to "maintain and preserve Donald Judd's permanently installed living and working spaces, libraries, and archives in New York and Marfa, Texas." The Judd Foundation works hard to educate and facilitate an understanding of Judd's work and mission in life. Anyone interested in Minimalism, Judd himself of the work of his contemporaries should definitely add one of the tours to their long term 'to do list'. 
 
So far, only part I of the tour of Marfa has been posted on the Art Market Views blog and already there are some great pictures of what is on offer in Marfa. Tune in to catch the next installment of the trip.

Posted on October 06th 2010 on 06:19pm
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Saturday 02nd October 2010Versailles Now Home to the Cheshire Cat

Any body that is interested in the contemporary Pop Art masters like Jeff Koons or Takashi Murakami, will no doubt have come across the protests and commotion surrounding the contemporary art programme at the Palace of Versailles.
 
Jean-Jacques Aillagon has long been a supporter of contemporary art, and has shown his support by staging exhibitions of some of the worlds most cutting edge artists within the grounds and palace rooms at Versaille. Perhaps two of the most controversial of those have been the Jeff Koons exhibition in 2008/2009 and the current Takashi Murakami exhibition.
 
Each of these exhibitions has seen the display or artwork throughout the Royal Apartments and the gardens of Versailles, provoking objections that accuse Versailles of bowing to "Disneyfication" or to artists who merely act as parasites on the art of the past in order to make a quick buck. In particular, two French groups, the Coordination Defense de Versailles and Versailles Mon Amour (VMA) have had two petitions signed by over 12,000 people in protest of Murakami being allowed to show at the Palace which formerly housed Louis XIV and his entourage. 
 
Jeff Koons, "Split Rocker" 2000
 
Despite the cries of sacrilege, I think that these types of exhibitions are great, and break down some of the barriers that keep people from exposing themselves to either the arts of the past, or modern and contemporary art. Also, who can say that there isn't a healthy does of fun and lightheartedness about these shows. Isn't the art experience supposed to be an enjoyable one? Especially where Koons or Murakami are concerned? Who could fail to be amused by the sight of Koons 2000 work "Split Rocker", peering out over the gardens, or smile at the juxtaposition of Murakami's "Flower of Matango" in the Hall of Mirrors? 
 
Murakami's "Flower Matango" on view in the Hall of Mirrors (Photo: Gilles Truyens/EPV)
 
Call me weak, but I certainly can't help myself, and I think Murakami knows just what he is doing if his official press statement is anything to go by: "I am the Cheshire Cat who greets Alice in Wonderland with his devilish grin, and chatters on as she wanders around the chateau."
 
Murakami will be on at Versailles until 12th December. For more information visit the Palace of Versailles Websites

Posted on October 02nd 2010 on 12:46pm
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